• Skip to primary navigation
  • Skip to main content

Jay Gidwitz

Artist / Photographer

  • Gallery
  • About
  • Blog
  • Newsletter
  • Contact
  • Shop
  • Cart

Dali's use of language in "On Modern Art"

March 21, 2007 By Jay Gidwitz Leave a Comment

Dali uses a number of techniques frequently throughout On modern art, to achieve his surrealistic style and tone. Some of these are (1) surrealist logic, (2) metaphor, and (3) paradox and reversal.
In his surrealist logic, his reasoning does not logically lead from one point to another, it just leaps from premise to assertion, or from assertion to assertion without any tight linear connection, and certainly without a deductive connection. His work still maintains a unity through an over-the-top tone. In part this tone is achieved through the flamboyant use of adjectives and concepts that is his trademark.
He uses unexpected metaphors though out the book to prove points.
He uses paradox and reversal often, both of which are common in comedy. Often in the case of his use of paradox he exploits the fact that all generalizations destroy themselves at some point in time–including that one. Reversal is when you think the story is going one way and then an amusing twist switches where you thought you were going to somewhere completely different.

Examples

  • Surrealistic logic: “Everyone knows that intelligence only leads us into a fog of skepticism, that its chief effect is to reduce us to factors having a gastronomical and supergelatinous, Proustian and gamely uncertainty.” (pg. 9)
  • Paradox: “… any attempt at a historical elucidation concerning it (modern art) would encounter the greatest difficulties, especially by reason of that contradictory and rare collective sentiment of ferocious individualism that characterizes its genesis.” (pg. 35)

The following sentence uses all three:

  • “Because it so happens that the critics of the very antiquated modern art–who come from more or less central Europe, in other words from nowhere–are letting their most succulently Rabelaisian ambiguities and their most truculently Cornelian error of situation in speculative cookery simmer in the Cartesian cassoulet.” (pg. 13)

Big Picture

His writing style is over the top in a way that is congruent with his public persona and the boldness and irrationality of many of his paintings. There also seems to be an underlying structure of thought that is pervasive in much of his work; paintings, writing, and public persona. He achieves his irrationality in very systematic ways: not randomly, but through the repetitive use of illogical and nonlinear thinking.

Filed Under: Uncategorized Tagged With: Surrealism

About Jay Gidwitz

Jay Gidwitz is an artist and photographer at jaygidwitz.com and curator at surrealismtoday.com. You can follow him on facebook, twitter, and instagram.

Reader Interactions

Leave a Reply Cancel reply

Art. Delivered right to you. Click Here.

All images Copyright © 2023 Jay Gidwitz Art. All rights reserved. Site design by Studio Issa.

  • Newsletter
  • Facebook
  • Twitter
  • Instagram
  • Shop
  • Cart